On the eve of the Golden Globes, Dean and Phil got together via Zoom with the Best of 2025 very much on their minds. They discuss the recent Directors Guild and Screen Actors Guild award nominations. They discuss why the Writers Guild awards pale in significance compared to the DGA and SAG. That leads to a review of the multi-Golden Globe nominated, but WGA-ineligible South Korean dark comedy No Other Choice from writer-director Park Chan-wook, and his co-writer Don McKellar, as well as to a discussion of some Park Chan-wook movies from the past that Dean and Phil hope to track down. From one dark comedy to another, Phil and Dean then tackle Ari Aster’s Eddington before cleansing their palate with the utterly delightful Nouvelle Vague from Richard Linklater. Finally, the CNN documentary “I’m Chevy Chase and You’re Not” gets analyzed before Dean and Phil set aside fifteen bonus minutes to peek ahead to what IMDB considers ten of the “most anticipated” movies coming out this year.

Our first installment of 2026 finds your friends in podcasting discussing why the President of the United States is so insistent on there being another Rush Hour movie from director Brett Ratner. Then, Dean and Phil delve into the two final “Mission: Impossible” movies, both 2023’s Mission: Impossible – Dead Reckoning Part One and 2025’s Mission: Impossible – The Final Reckoning. Then, they delve deep into the strengths and weaknesses of Guillermo del Toro’s Netflix film version of Frankenstein. Finally, just in time for Twelfth Night, they go thru a whole lot of seasonal fare, both movies and television specials, including “Pee-wee’s Playhouse Christmas Special”, the Rankin-Bass “Frosty the Snowman”, The Muppets Christmas Carol, and Stanley Kubrick’s The Shining.

Our final installment of 2025 finds your friends in podcasting discussing Dean’s holiday travels, the health of Phil’s wife, the latest on the sale of Warner Bros. Discovery and the use of AI (and self-learning programs) in a wide array of fields. Then, Dean and Phil get down to the serious business of discussing such award-hopeful movies as The Secret Agent and Jay Kelly, the comfort food that is “Spinal Tap II” and such holiday comfort viewing as National Lampoon’s Christmas Vacation and holiday specials A Charlie Brown Christmas and A Very Murray Christmas.

Dean and Phil got together high atop a certain “historic building” in downtown Los Angeles to watch the sunset on the winter solstice, to enjoy a lovely bottle of Malbec, and to record this week’s show! They discuss Dean’s holiday travels, the big forthcoming change to the annual Oscars telecast, and the changes in the beaks on songbirds at UCLA! After that, they discuss the unique legacy of actor-turned-filmmaker Rob Reiner, and take the time to analyze several of his films. Then, two film noirs (Tension and Where Danger Lives), a fairly bizarre war film (36 Hours) and the biggest box office hit of Brad Pitt’s career all get reviewed!

Dean and Phil compare notes on their Thanksgivings and reveal how (and probably why) Phil got sick on his birthday! Then, they discuss a wide array of brand new and classic movies from various genres and from locales around the world, including Richard Linklater’s Nouvelle Vague, Joachim Trier’s Sentimental Value, the noir classic The Postman Always Rings Twice, the groundbreaking indie Chan is Missing, the all-time masterwork Au hasard Balthazar, and a Netflix doc about Eddie Murphy. In “Celebrity Deaths”, an unforgettable and prolific character actor and one of the greatest playwrights of all time get remembered.

This week, Dean and Phil will begin to slowly roll out the new era of Chillpak Hollywood, releasing much more content each week. Phil provides details at the outset. Then, he and Dean engage in much show biz “water cooler” discussion. The most famous modernist home in the world is up for sale for the very first time. Dean and Phil talk about the house, its history, and some of the movies that were filmed there. Warner Bros. is also up for sale, apparently (again!), and Dean and Phil both discuss it and sort of lament it! A loyal listener is very upset about the film Bugonia, so Dean and Phil revisit their debate about the film’s director, Yorgos Lanthimos. The lack of box office this year for accomplished and acclaimed films aimed at adults gets discussed broadly, with two of these films (the Channing Tatum vehicle Roofman, and the recent spy thriller Black Bag) going under the microscope. Finally, two classic films get re-appraised and celebrated anew: Rian Johnson’s Brick on its 20th anniversary, and the rollicking 1966 western The Professionals. Finally, one of Phil’s all-time favorite actors, indeed one of the greatest figures in Japanese cinema history, gets remembered in “Celebrity Deaths”.

After almost 19 years of “changing the way you listen to the internet”, your friends in podcasting are about to change the way they continue to … change the way you listen to the internet! They discuss their plans on this week’s absolutely excellent show. Dean discusses a big improv performance he gave this weekend and goes deep into explaining the improv game “crime endowment”. In the long-awaited return of “Celebrity Deaths”, iconic rock guitarist Ace Frehley, and all-time great actress Diane Keaton get remembered. During those celebrations, Dean and Phil take a detour into a deep dive analysis of people dying from falls. A little-known 1973 film about the JFK assassination gets discussed, as does whether we can ever truly know history in general, and JFK assassination history in particular. Finally a rather terrible documentary about beloved actor John Candy gets reviewed.

In what might be a first, Dean will offer up both a point and a counterpoint (all on his own) about the merits and deficits of Charles Laughton’s The Night of the Hunter. Then, Phil will discuss the long career of the great cinematic surrealist Luis Buñuel and take a deep dive into one particular masterpiece of his, the 1950 Los Olividados (“The Young and the Damned”). Buñuel’s famous collaborations with Catherine Deneuve will lead Phil and Dean to discuss this legendary star’s almost unparalleled status as the “face” of 1960s cinema. Jacque Demy’s singular The Umbrellas of Cherbourg gets celebrated as a result. If Ms. Deneuve was NOT the face of global cinema at that time, then that title belonged to the late, great Claudia Cardinale, who gets remembered in “Celebrity Deaths”.

It’s the symbolic final weekend of summer 2025 and your friends in podcasting commemorate in style with almost 70 minutes of rich podcasty goodness! They discuss how one of Dean’s all-time least favorite films might become a television series. They discuss how a Todd Haynes period detective film they would have loved to see might just be back from the dead. They discuss how and why Weapons has captured the cultural conversation in a way few movies do any more. They discuss how and why Netflix had the #1 film at the box office, why Netflix didn’t want you to know that, and what it might portend for the future. They discuss the merits of the new Netflix mystery The Thursday Murder Club. They discuss the 1987 classic River’s Edge and the 1949 all-time masterpiece The Third Man. In the return of the “Live Event of the Week”, Pink Martini performs under the stars at the Greek Theatre. In “Celebrity Deaths”, an Oscar-winning composer, a Tejano legend, a chart-topping flugelhorn player, a co-founder of “Derek and the Dominos”, and the jazz singer dubbed “the lady with the million-dollar ears” all get remembered. Finally, Dean and Phil pay tribute to the great Terence Stamp. Happy Labor Day, USA! Happy Monday, everyone else.

If you are interested in movies, movie making, or the movie business, you are going to find this week’s show fascinating. Dean and Phil do deep dives into the cinematic delights brought to us by the Marx Brothers, the Canadian films produced under that country’s 100-percent Capital Cost Allowance tax shield for investors, Jon Voight’s plan to save Hollywood and the wildly different reactions to that plan within the industry, the ways the smash hit Sinners might change the economics of the biz, and the just-commenced 78th Cannes Film Festival (including one apparent all-time masterpiece that made its debut as well as a “secret” documentary about the Red Hot Chili Peppers). As if that weren’t enough, your friends in podcasting go overtime to remember two impactful filmmakers, an Oscar-winning makeup artist, a beloved big screen “tough guy”, and a prolific child star of the 1930s and 40s.