On this week’s episode, Dean and Phil answer the following questions: 1) Was Vincent Van Gogh a mathematics genius? 2) What does a Frisbee have to do with airline aviation? 3) Does Phil’s hatred of The Fall Guy know no bounds? Then, a review of the neo-noir pastiche Love Lies Bleeding leads into a brief discussion about distributor A24’s output. The recent Chillpak discussion of Joaquin Phoenix bailing on his planned collaboration with Todd Haynes, caused Phil to revisit Todd Haynes’ 2002 almost-masterpiece Far From Heaven, and the death of the legendary leading man Alain Delon led Phil to watch three of the actor’s greatest successes on the big screen this week. The result is not only a discussion of Le Cercle Rouge, Purple Noon and La Piscine (aka The Swimming Pool), but a full deep dive into “heist” pictures, film critics, and more.

The best thing about being podcast-only (again) is that for the first time in years, Dean and Phil can produce shows of whatever length tickles their fancy. Indeed, this week’s Chillpak Hollywood Hour gives you more than 10% more “hour”! The show begins with a cold open, wherein Phil reveals that he is not the only filmmaker who gets upset when other filmmakers don’t follow the rules they themselves have set up for a particular movie. In this instance, it’s Quentin Tarantino taking a much-loved modern horror classic to task. Then, Phil briefly revisits his recent travels to Catalina and Dean’s forthcoming travel plans, revealing that Dean has added a NYC trip to the mix in order to see a little-known, conceptual gem of a gallery. Phil previews where he will be spending Independence Day this year, and how a re-watch of Jim Jarmusch’s early classic Mystery Train has him jazzed to visit Memphis (and Graceland!) again this November. Standing ovations at Cannes, the impending financial train wreck that is Kevin Costner’s multi-part big-screen Horizon: An American Saga, and Denis Villeneuve’s Dune: Part Two all get discussed. Phil then reveals the latest news regarding a potential defamation lawsuit against Netflix and “Baby Reindeer” and explains why he is willing to now give the show and its creators the benefit of the doubt. After discussing the brilliance of actor Dabney Colemna and how Phil once ruined a birthday party for the 9 to 5 star, the “Funniest Man in America” and a groundbreaking recording engineer get remembered before “Celebrity Deaths” turns into a quiz testing Dean’s cultural/show biz literacy. Finally, after a brief musical interlude, Dean re-joins the festivities, this time from London, where he files a “boots on the ground” report. Phil concludes by previewing next week’s show, including an extraordinary adventure he took to the Integratron!

Since 1984’s Risky Business, Tom Cruise has been one of the most reliable and bankable stars of major motion pictures. Since 1984’s Stranger than Paradise, Jim Jarmusch has been one of the most reliable and influential auteurs in independent cinema. This week, Dean and Phil compare and contrast these two icons’ filmographies, making recommendations, drawing parallels between two very different artists, and examining forty years of American culture and hundreds of years of American mythology in the process!

Although summer hasn’t officially begun in the northern hemisphere, it sure feels like it has what with Dean and Phil discussing Dean’s new sandbox and the state of the summer box office! Not only that, but there’s a message from Agent Summer (“Summer” – get it??) that gets discussed! An on-air production meeting yields an outstanding idea for a future show all about movies, while on this week’s show, such movies as Otto Preminger’s The Man with the Golden Arm and Skidoo, the time travel movie Timerider: The Adventure of Lyle Swann, the World War II classic Thirty Seconds Over Tokyo, and the wizarding world entry Fantastic Beasts: The Secrets of Dumbledore all get discussed. Such popular performers as Kim Novak, Van Johnson, Jude Law and Jessica Williams get discussed as well. Plus, loyal listener Maurice Terenzio shares a great story about the wonderful character actor Richard Kiel. On the small screen, Phil offers up a mea culpa on “Hacks” season 2, and he and Dean share a message from friend of the show Mattie Giles all about “Station Eleven” and “Made for Love” on HBO Max, “The Book of Boba Fett”, season 2 of “Picard”, and the brand new “Strange New Worlds”. Finally, the return of “Lawsuit of the Week” focuses on Johnny Depp, Amber Heard, defamation, libel, toxic relationships, social media reactions and the cycles of abuse and violence.

Dean is back from the UK and reports on his travels. Phil has been availing himself of classic movies and has thoughts on an indie gem from the 1980s, a mind-bending oddity from Joseph Losey, and a 1960 epic about the founding of Israel. The episodic series “Space Force”, “Barry” season 3, “Our Flag Means Death”, “Hacks” season 2, “The Book of Boba Fett”, “Obi-Wan Kenobi” and season 2 of “The Mandalorian” get discussed. Four giants of the music industry and 3 beloved character actors get remembered in “Celebrity Deaths”. Finally, Dean and Phil explain why Tom Cruise was probably the perfect person to produce and star in a brilliant sequel 36 years after the original, and Phil shares some inspiring words relating to Asian American Pacific Islander Heritage Month.

Somehow, through almost 15 years of bringing you YOUR Chillpak Hollywood Hour free every week, Dean and Phil have never dedicated an entire show to the career, artistry and genius of Bill Murray. This week, that oversight gets remedied, as your friends in podcasting march right into the holidays by programming a film festival they are entitling “A Very Murray Christmas”. Featuring seven double features, discussion of numerous other titles, analysis of Murray’s zen approach to life, art, career and business, and an appreciation of some of his key collaborators through the year, we think this will be a particularly fun and festive hour!

Your friends in podcasting celebrate summer and the traditional “summer movie season” with a show full of great movie directors. First, Dean and Phil remember three groundbreaking directors in “Celebrity Deaths” – one of whom directed some of the best box office hits of the 70’s, 80’s and 90’s, one of whom was a key figure in underground cinema and one of whom directed one of the greatest American movies of all time! Such titans of international cinema as Francois Truffaut and Sweden’s Roy Andersson get their turns in the spotlight as well. Then, it turns out one of the greatest filmmakers of our era has purchased one of greatest movie theaters in the world. Dean and Phil discuss what this portends for the future of movie-going. Finally, one brand new movie release from Oscar-winner Steven Soderbergh and one classic Australian film from Bruce Beresford get appraised, before a long-promised Aussie-themed edition of our Vintage Movie Ad game gets played!

Longtime listeners know that Dean Haglund and Phil Leirness care about your health and the health of society. This week’s episode gets started with a discussion of Phil’s eyesight loss, the NBA Finals, the catastrophic injuries that marred the NBA Finals, and the pressure everyone feels, not just athletes, to get back to work as quickly as possible, even if they are injured or if their health is compromised. Then, Dean discusses the latest about his streaming improv web series “Gravity Hole”, the conspiracy-themed live comedy performance he will be giving in July, before he and Phil dig into some of the great comedy series and how they reveal the truth. Finally, Phil brings up the recent implosions at the box office before singing the praises of a recent superhero release, a silent classic and a brand new Zombie comedy. The show closes with part 2 of Phil’s conversation with actress-singer-producer Chase Masterson and her profound efforts to build a healthier society through her anti-bullying Pop Culture Hero Coalition

After last week’s outstanding episode, your friends in podcasting keep the movie talk going as they remember Robby Muller, the late great “Master of Light”, perhaps the most important cinematographer in independent cinema over the final 30 years of the 20th Century. Dean and Phil then discuss what it means on those rare occasions when critics like a movie far more than audiences do. It’s common for audiences to like a film more than critics, but who is to blame when critics love a film and audiences HATE it? Your friends in podcasting answer that question before shifting gears into an incredible “Live Event of the Week”. They welcome special guest Zac Greenberg, the composer of The Bradbury Tattoos: A Rock Opera, which premieres this month in Cincinnati courtesy of a National Endowment of the Arts Grant. Based on four Ray Bradbury short stories from “The Illustrated Man (including “Kaleidoscope”, which Dean once starred in on-stage in Los Angeles as part of Sci-Fest L.A.), this sci-fi spectacular promises to be a production like no other! Oh, and make sure to stay tuned following the closing music and announcements for a sensational Easter egg!