Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

Big changes are coming, with much more content each week. This week, Dean and Phil hint more at what these changes might bring, while whetting the appetite thru discussions of art, culture, television, movies and acting. The festivities begin with Dean revealing which of the cities he has lived in most inspired his painting. The return of Vince Gilligan to the small screen gets discussed, the hilarious new sitcom “Stumble” gets reviewed, and the cancellation of Rian Johnson’s “Poker Face” AND his plans to revive it get analyzed. In “Celebrity Deaths”, the maverick independent filmmaker Henry Jaglom gets remembered and his ongoing legacy and influence are pondered. Then a whole raft of new Netflix films get mentioned before Dean doffs his cap at Guillermo del Toro’s Netflix version of Frankenstein, and Phil wags his finger at the preposterous The Woman in Cabin 10. Finally, The Fantastic Four: First Steps gets revisited before the state of acting in the 1970s gets hailed as, perhaps, the all-time peak of screen acting.

Dean and Phil have quite the array of topics to discuss, including a recent Marvel film, a Neil Simon comedy from the 1970s, all the big award-winners at the recent Cannes Film Festival, and a director’s cut of Chris Carter’s The X-Files: I Want to Believe. Both the Australian and the American versions of “Laid” get discussed, and art, architecture, history and more get discussed in the return of “What We Are Reading”. Two beloved television stars and a legendary comedian get remembered in “Celebrity Deaths”. Finally, good pal of the show Marc Hershon drops by to offer up two new television show recommendations that both sound awesome!

Welcome to a very freewheeling episode! It begins with Dean Haglund revealing what he’s watching these days. The action then shifts to a rooftop roundtable discussion with two special guests all about television. “Baby Reindeer”, “The White Lotus”, “Severance”, “Hacks”, “Slow Horses”, “Poker Face”, “The Residence”, the Marvel Studios shows, the “Star Wars” shows and two special recommendations all get discussed. Then, it’s back to Dean as he and Phil reveal what they are reading! Art, essays, liberty, Edgar Allan Poe, AI and Philadelphia all get discussed!

Coming at you from Venice, Italy, Los Angeles of the 1980s and everywhere in between, this week’s show is a wild pastiche. First, Phil gets the ball rolling from Venice, as he welcomes frequent contributor over the years, Lily Holleman (Leirness), who shares some thoughts about the ancient world capital. Phil issues a warning to anyone who is listening to the show from Los Angeles of the 1980s. Then, after Christopher Walken leads us into the show’s traditional opening, Marc Hershon drops by to discuss both recent television awards, the SNL50 special, and current shows of which you might be well advised to avail yourselves. Then, in the back half, Dean shows up to find out what Phil’s reading, and to share with Phil his advice of the must-see sights and much-do events Venice has to offer.

Following what many people seem to feel was the longest January on record, your friends in podcasting return to get February off to a good start, freewheeling their way through a variety of topics, including the closing of the most odd airport in the world, the reasoning behind Quentin Tarantino’s move into live stage work, a listener’s response to Dean and Phil’s dismissal of Oscar Best Picture nominee A Complete Unknown, and the influence David Lynch had on great Canadian filmmaker Guy Maddin. Dean and Phil take a deep dive into two films that figure prominently on many year-end Top Ten lists (Hundreds of Beavers and The People’s Joker) and they discuss two films that are NOT eligible for inclusion on their own lists (La Chimera and Midway). Finally, good friend of show Marc Hershon drops by to share a disturbing story about a screenwriting AI and to suggest two recent television shows.

If any week warranted an episode of epic length, it was the week that was. With Phil Leirness coming at us from the beaten and battered City of Angels and Dean Haglund coming at us from an air mattress on a hardwood floor not far from the Motor City, this week’s show covers a lot of terrain in a little more than 68 minutes. Your friends in podcasting discuss Copenhagen wedding plans and the role that city played in our understanding of quantum physics. They talk about the cold of New York City, the importance of heeding one’s intuition and the horrifying, almost unbearably sad events still ongoing in Los Angeles. Fires, bad behavior and the need for us to stop breaking things all get discussed before Dean and Phil finally put the “Hollywood” into Chillpak Hollywood Hour, briefly revisiting last week’s “Lawsuit of the Week” (involving It Ends With Us director Justin Baldoni and star Blake Lively). They re-visit (and double down on) their praise for Netflix’s “A Man on the Inside”, Dean sings the praises of both “So Help Me Todd” and “Elsbeth” before the discussion turns to recent big-screen efforts by Guy Ritchie and Clint Eastwood. Finally, in the return of “Celebrity Deaths”, Phil quizzes Dean about a former U.S. President, a billionaire businessman, a Shakespearean movie star, the Gold Leader from Star Wars, a Broadway legend turned sitcom star, and a folk music icon, before setting his sights on and saying good riddance to a notorious bigot. Trust us, if you have ever enjoyed our free weekly show that has been “changing the way people listen to the internet” since May of 2007, you won’t want to miss this one!

Dean is in Tokyo, but before departing the U.S., he recorded a grand conversation with Phil for this week’s show! Jeremy Saulnier’s Netflix original Rebel Ridge, the comedy Thelma starring June Squibb, the sports-based love triangle Challengers, and the Netflix documentary Will & Harper are just some of the new and recent films they discuss. Then, they take the time to celebrate the lives and legacies of Broadway actor-singer-dancer Adrian Bailey, groundbreaking vocalist-turned-actress Cleo Sylvestre, French-Italian singer (who recorded in 11 different languages) Caterina Valente, bossa nova and samba icon Sergio Mendes, musical star Mitzi Gaynor, and beloved actors (and Eddie Murphy co-stars) John Ashton and John Amos in “Celebrity Deaths”. Finally, friend of show Marc Hershon drops by for his now monthly check-in to discus the latest and greatest in streaming episodic programming (you know, what us older folks might still refer to as “TV shows”!).

Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski’s 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands’ death: A Woman Under the Influence and Love Streams. Finally, Dean and Phil celebrate Paris, Texas at 40, discussing the role of the American Southwest in indie cinema of the early to mid 80s, and the way Paris, Texas points the way towards Wim Wenders’ next masterpiece, Wings of Desire. Dean had to leave for London, so he drops out a few minutes early, but not before the return of “Lawsuit in the Week”, and how Netflix might be in financial hot water over its “Baby Reindeer”. At that point, Phil welcomes Marc Hershon back to the show to discuss last month’s Emmy Awards and the possible forms the venerable awards show might take in the future. Such acclaimed current TV as “Shogun”, “Slow Horses”, “The Bear”, “Hacks”, “Reservation Dogs”, “Only Murders in the Building”, and the aforementioned “Baby Reindeer” get deep dive discussions.

It’s a Labor Day edition of YOUR Chillpak Hollywood Hour and Dean and Phil regale with tales of the labor they had to put into Labor Day Weekend, and discuss the history of the day itself. Phil rants about the truncating of summer before he and Dean revisit the following topics from last week: Edgar Bronfman Jr.’s 11th hour bid to take over Paramount, the cinematic legacy of the great leading man Alain Delon, and the nonlinear nature of Strange Darling. Many classic and recent films get appraised, including the Ryan Reynolds-starring If and the 2014 indie neo-noir Man From Reno. On the small screen, the new season of “Only Murders in the Building”, the third season of “Slow Horses” and the rookie season of “Bad Monkey” all get discussed, as does the literary voice of author Carl Hiaasen. All that plus, Phil reveals some very interesting tidbits about his essays and podcasts at “The Voice of Los Feliz”.