Your friends in podcasting have returned from travel adventures and have tales about art galleries in the nation’s capital and jazz clubs in the Big Easy. You will learn more about they year 1874, and more about the Marigny District of New Orleans, than you have ever heard before on this show! Much of this week’s episode involves movie box office news, movie award news, and movie reviews. In fact, two current releases and one recent release get deep-dive analyses: Conclave, Anora, and Longlegs.

On Halloween in the USA (November 1 in Japan), Phil and Dean recorded this week’s show via zoom for a far out and far east installment of YOUR Chillpak Hollywood Hour. In it, you will hear accounts of Dean’s adventures in the Land of the Rising Sun. You will also hear the sad tale of Phil’s sister, and Phil’s full report on the big live show he hosted, and the show he was performing in that night. There will be deep dive discussions of several films, including two by director Brian G. Hutton and two somewhat overlooked horror films. The importance of Halloween as a time to discover, or re-discover unfairly maligned or outright ignored genre films gets celebrated as well. Finally, great stars Kris Kristofferson and Teri Garr, and legendary “Star Trek” writer, producer and show-runner Jeri Taylor get remembered in “Celebrity Deaths”.

Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski’s 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands’ death: A Woman Under the Influence and Love Streams. Finally, Dean and Phil celebrate Paris, Texas at 40, discussing the role of the American Southwest in indie cinema of the early to mid 80s, and the way Paris, Texas points the way towards Wim Wenders’ next masterpiece, Wings of Desire. Dean had to leave for London, so he drops out a few minutes early, but not before the return of “Lawsuit in the Week”, and how Netflix might be in financial hot water over its “Baby Reindeer”. At that point, Phil welcomes Marc Hershon back to the show to discuss last month’s Emmy Awards and the possible forms the venerable awards show might take in the future. Such acclaimed current TV as “Shogun”, “Slow Horses”, “The Bear”, “Hacks”, “Reservation Dogs”, “Only Murders in the Building”, and the aforementioned “Baby Reindeer” get deep dive discussions.

Dean and Phil have thoughts about the recent assassination attempt on former President Trump and these thoughts bring back memories of John Lennon’s murder and of vigilante films of the 1970s, especially Taxi Driver as well as the American classic on which it was based, The Searchers. On this week’s show, you will hear all that before your friends in podcasting get down to remembering the great Bob Newhart and the singular Shelly Duvall, as well as Oscar-winning producer Jon Landau in “Celebrity Deaths”. The “Live Event of the Week” involves Disneyland on its 69th birthday, the invention of audio-animatronics and how Disney was denied toys as a kid. Two movies have Phil’s attention, one of whose story (Widow Clicquot) was written by a future guest of YOUR Chillpak Hollywood Hour and the other (Bodies Bodies Bodies) an A24 satire on both WiFi culture and Agatha Christie’s Ten Little Indians. Watching it was part of Phil’s efforts to see everything in which actress Rachel Sennott has appeared. Finally, the Emmy Awards nominations get discussed and Dean’s viewing habits get put to the test!

This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.

Dean and Phil got together in Los Angeles this week to watch David Robert Mitchell’s It Follows, to see if it’s as good as they remember OR if, as Quentin Tarantino claims, the film does not “play by its own rules”. You will hear the discussion in real time as your friends in podcasting watch the film and analyze it. First though, because a loyal listener like you (yes, YOU!) asked, Dean & Phil will tackle the controversy surrounding the use of AI-generated art in the recent Late Night with the Devil (a film Dean loved and which Phil pointed out definitely discards its own rules 75 minutes in). Finally, actress-singer-writer-improviser Lily Holleman drops in to discuss Juneteenth, her birthday, the latest “refurbishments” at Disneyland, the demise of Siren Radio and the music of comedian Sinbad!

Dean will be heading to Los Angeles this week and plans to deal with a “haunted vacuum”? Paramount Pictures (and its parent company) are for sale. Dean and Phil discuss the ramifications of this. Many great films premiered in competition at the recent Cannes Film Festival. Dean and Phil examine the award-winners. A film festival favorite available now on Netflix is Richard Linklater’s dark romantic comedy Hit Man. Dean and Phil discuss it. Then, they take a deep dive look at three “art house” films of recent vintage and use that dive as the vehicle for exploring the function, importance and failure of critics. The films in question are Joanna Hogg’s ghost story The Eternal Daughter and Jane Schoenbrun’s coming-of-age psychodramas We’re All Going to the World’s Fair and the current theatrical release I Saw the TV Glow.

Welcome to part one of a two-part installment of YOUR Chillpak Hollywood Hour wherein Dean and Phil will discuss the best in cinema of the year 2023. This is no ordinary “Top Ten” show. Ultimately, dozens of films and just as many topics will get explored. This week’s show actually begins with discussion of atmospheric rivers, of spreading a loved one’s ashes, of comparisons between the original Cape Fear and the Martin Scorsese remake, and the beloved athlete-turned-actor Carl Weathers gets remembered. Then, before setting their sights on the cinematic year that was, your friends in podcasting (and broadcasting) examine something last week’s guest (Luke Y. Thompson) said about what an all-time great year for movies 1999 was. It turns out he could not have been more right, and so Dean and Phil wonder, when looking back at 2023 many years hence, will it be as impressive as 1999 is now in the rearview mirror? That serves at the springboard into discussions of Wim Wenders, editing, Imax, and such films as Anselm, Perfect Days, Napoleon, Cocaine Bear, A Haunting in Venice, Oppenheimer and Mission: Impossible – Dead Reckoning Part One. And, of course, the best thing about this week’s show is that it is “to be continued …”! 

Welcome to an excellent installment of your Chillpak Hollywood Hour that begins with tales of springtime before a couple of great soapbox moments courtesy of the “sensitivity editing” of Agatha Christie and newspaper headline treatments of black men in the media. An actress who starred in many beloved projects, a screenwriter behind crowd-pleasing movies, a singer in a legendary doo-wop band and the designer responsible for the way Phil smelled throughout his teens and twenties (!) all get remembered in “Celebrity Deaths”. Dean champions Cocaine Bear, Elizabeth Banks, and the return of Nicolas Cage (not that he went anywhere). Phil regales with amazing original casting choices for a couple of popular recent films before launching into an appreciation of the fable-making on display in John Wick: Chapter 4.

Happy St. Stephen’s Day, Happy Boxing Day, Happy (final day of) Hanukkah AND Happy 2nd Day of Christmas! Dean and Phil celebrate it all by comparing notes on their holiday celebrations, by sharing stories of Dean’s jury duty and of Phil’s cross-country travels with THE Fuzz Aldrin! Film critics everywhere have been weighing in on the best movies of 2022. Dean and Phil will check in on their consensus picks (thus far). They will also discuss a handful of current and recent releases, including Guillermo Del Toro’s “Pinocchio”, the dark satire “The Menu”, Ti West’s “X” and “Pearl”, and they re-visit the recent comedy actioner “Bullet Train”, using it as an excuse to analyze the work of Ryan Reynolds, and to celebrate the greatness of Michael Shannon.