Phil gets things started by singing the praises of “The Lowdown” (and its emotional intelligence), and of Marc Hershon, who had this Sterlin Harjo-created Ethan Hawke-starring series on his list of the best television of 2025. Some casting news (regarding season 4 of “The White Lotus”) has Phil greatly enthusiastic. Then, for the first time in ages, but as they used to do on the regular back in the day, Dean and Phil analyze the long four-day weekend’s domestic box office, paying particular attention to the lack of performance by (the supposedly excellent) 28 Days Later: The Bone Temple and the milestone achieved by bona fide movie star Timothée Chalamet. Then, the conversation about IMDB’s list of the 20 most anticipated movies of 2006 picks up where it left off last week. The incredible achievement Sentimental Value pulled off at the European Film Awards gets placed in a historic perspective. Two movies get reviewed: Dean wags his finger at the Edgar Wright remake The Running Man and Phil doffs his cap to Bi Gan’s masterful Resurrection. This week’s show is EXCELLENT, but don’t take our word for it – just hit “play”!

Dean and Phil got together high atop a certain “historic building” in downtown Los Angeles to watch the sunset on the winter solstice, to enjoy a lovely bottle of Malbec, and to record this week’s show! They discuss Dean’s holiday travels, the big forthcoming change to the annual Oscars telecast, and the changes in the beaks on songbirds at UCLA! After that, they discuss the unique legacy of actor-turned-filmmaker Rob Reiner, and take the time to analyze several of his films. Then, two film noirs (Tension and Where Danger Lives), a fairly bizarre war film (36 Hours) and the biggest box office hit of Brad Pitt’s career all get reviewed!

Big changes are coming, with much more content each week. This week, Dean and Phil hint more at what these changes might bring, while whetting the appetite thru discussions of art, culture, television, movies and acting. The festivities begin with Dean revealing which of the cities he has lived in most inspired his painting. The return of Vince Gilligan to the small screen gets discussed, the hilarious new sitcom “Stumble” gets reviewed, and the cancellation of Rian Johnson’s “Poker Face” AND his plans to revive it get analyzed. In “Celebrity Deaths”, the maverick independent filmmaker Henry Jaglom gets remembered and his ongoing legacy and influence are pondered. Then a whole raft of new Netflix films get mentioned before Dean doffs his cap at Guillermo del Toro’s Netflix version of Frankenstein, and Phil wags his finger at the preposterous The Woman in Cabin 10. Finally, The Fantastic Four: First Steps gets revisited before the state of acting in the 1970s gets hailed as, perhaps, the all-time peak of screen acting.

Because of Dean’s peculiar living conditions at present, because of Phil’s adventures this week in the nation’s capital, and because of a message from a loyal listener (about plein air painting, about microphones, about Bing Crosby, about the body horror comedy/thriller The Substance), this week’s show will be full of fascinating, inspiring and hilarious conversation. The show will also include one of the saddest “Celebrity Deaths” Dean and Phil have ever discussed AND one of the most mind-blowing biographies of any celebrity they have ever remembered.

Welcome to one of our most cinematic episodes of the year! Dean and Phil talk nothing but movies, doing deep dive analyses of the new Dave Bautista action-comedy vehicle (and tax dodge?) The Killer’s Game, the current Tim Burton-directed smash hit Beetlejuice Beetlejuice, the Michael Keaton-starring vehicle and directorial effort Knox Goes Away, the recent “thriller in six chapters” Strange Darling, this year’s box office disaster The Fall Guy, a 1968 film undone by director Richard Lester’s cynicism (Petulia), and an all-too overlooked classic from director Joseph Losey and leading man Alain Delon (Mr. Klein). Finally, Phil regales Dean with a real-life unsolved murder that involved the late, great Delon.

 

After a brief cold open where Phil and Dean discuss Dean’s trip to Los Angeles this week, your friends in podcasting get into a spirited and frequently hilarious discussion about the Olympics. Then Phil has notes for the brilliant Jon Batiste about his hot mess of a live show. A legendary agent and a trailblazing actress get remembered in “Celebrity Deaths”. Dean plays “armchair executive” in analyzing the news surrounding the forthcoming George Clooney-Brad Pitt vehicle Wolfs. Phil re-watched Barry Lyndon and he and Dean take a deep dive into that film and analyze the way the film has been so dramatically reappraised in recent years.

We hope you are hungry this week because Dean and Phil are serving up Detroit-style pizza, Japanese-Italian fusion, and red, white and blue margaritas! They discuss their 4th of July activities, celebrity sightings of a Supreme Court Justice and a former President of the U.S., modern and contemporary and text-based art, and a classical music “Live Event of the Week”. In “Celebrity Deaths”, one of the greatest screenwriters of all time and a beloved musician-turned-comic actor-turned artist both get remembered. A television show set in Tokyo and another set in Detroit both get discussed. Then Dean reviews the latest movie featuring everyone’s favorite Detroit cop, the brand new Beverly Hills Cop: Axel F and Phil previews three very cool sounding movies that debuted at the Cannes Film Festival in May. All in all it is a delicious and nutritious feast for the senses (at least your hearing) and for your funny bone!

Welcome to a truly great episode and it all starts with an alternately touching and hilarious cold open! In “Celebrity Deaths”, Dean and Phil remember a jazz music pioneer, an actor who was an important influence on Dean, and a versatile, prolific, Oscar-winning filmmaker. Last week’s Oscar nominations get analyzed, as does the ensuing anger surrounding supposed “snubs”. After the break, the great film critic Luke Y. Thompson joins the fun, discussing how critics, like performers, can get “pigeon-holed”. He offers up thoughts on the Oscar-nominated The Zone of Interest and the underrated Beau is Afraid, and hips you to a black and white sci-fi comedy that is well worth your 68 minutes! He even talks about toy reviews and toy photography! And trust us, this episode offers a lot of laughs! Find links to all of Luke’s articles and reviews at https://linktr.ee/lytrules. And learn about his work as a toy collector, photographer and reviewer at https://www.eql.com/media/adult-toy-collecting

 

This week’s show begins with Dean and Phil discussing one of Dean’s all-time favorite films and filmmakers: My Winnipeg by Guy Maddin. Phil hails it as perhaps the greatest film NOT to be on the Sight and Sound poll of the 250 greatest films ever made. From great movies to great television, your friends in podcasting and broadcasting shift gears to discuss the end of “Succession”, the end of “Barry”, the end of “The Marvelous Mrs. Maisel”, the end of “Ted Lasso”, Season 1 of “Star Trek: Strange New Worlds”, and Season 2 of “Star Trek: Picard”. And speaking of “Picard” the actress who played the Borg Queen will get remembered in Celebrity Deaths, as will a beloved French-Canadian actor, an incredible Mexican character actor, the stunt man who inspired Quentin Tarantino’s “Once Upon a Time in Hollywood” … And the lead character in that film has also died?!

This week, year 17 gets underway in style with the first part of a special two-part theme show where Dean and Phil discuss the cinematic legacies of two of the biggest stars of all time: Kirk Douglas and Burt Lancaster. This episode focuses on these famous actor-producers’ careers though the year 1960. And it also involves discussions of many other notable screen artists, from filmmakers like Billy Wilder, to performers like Barbara Stanwyck. So keep those chosen “watchlists” and/or “queues” handy as you will doubtless learn about a title or two (or a dozen) of movies you will want to enjoy or re-visit!