Because of Dean’s peculiar living conditions at present, because of Phil’s adventures this week in the nation’s capital, and because of a message from a loyal listener (about plein air painting, about microphones, about Bing Crosby, about the body horror comedy/thriller The Substance), this week’s show will be full of fascinating, inspiring and hilarious conversation. The show will also include one of the saddest “Celebrity Deaths” Dean and Phil have ever discussed AND one of the most mind-blowing biographies of any celebrity they have ever remembered.

Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski’s 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands’ death: A Woman Under the Influence and Love Streams. Finally, Dean and Phil celebrate Paris, Texas at 40, discussing the role of the American Southwest in indie cinema of the early to mid 80s, and the way Paris, Texas points the way towards Wim Wenders’ next masterpiece, Wings of Desire. Dean had to leave for London, so he drops out a few minutes early, but not before the return of “Lawsuit in the Week”, and how Netflix might be in financial hot water over its “Baby Reindeer”. At that point, Phil welcomes Marc Hershon back to the show to discuss last month’s Emmy Awards and the possible forms the venerable awards show might take in the future. Such acclaimed current TV as “Shogun”, “Slow Horses”, “The Bear”, “Hacks”, “Reservation Dogs”, “Only Murders in the Building”, and the aforementioned “Baby Reindeer” get deep dive discussions.

Welcome to one of our most cinematic episodes of the year! Dean and Phil talk nothing but movies, doing deep dive analyses of the new Dave Bautista action-comedy vehicle (and tax dodge?) The Killer’s Game, the current Tim Burton-directed smash hit Beetlejuice Beetlejuice, the Michael Keaton-starring vehicle and directorial effort Knox Goes Away, the recent “thriller in six chapters” Strange Darling, this year’s box office disaster The Fall Guy, a 1968 film undone by director Richard Lester’s cynicism (Petulia), and an all-too overlooked classic from director Joseph Losey and leading man Alain Delon (Mr. Klein). Finally, Phil regales Dean with a real-life unsolved murder that involved the late, great Delon.

 

Dean is back from his birthday break and reveals just how he celebrated. Phil went to Montecito to prepare for a big show and has tales of a spectacular venue on the water. Have Dean and Phil been watching the Olympics? We find out. Last week, one special guest, Marc Hershon spoke about all that is excellent in television right now and Phil follows up on that by singing the praises of Season 3 of HBO’s “Hacks”. The other guest last week was archivist and global cinema expert Jeff Briggs, and Phil follows up on their discussion of the legendary “Queen of Swords”, Cheng Pei-Pei, by describing two films of hers that he really wants to see. Dean reveals the film HAS seen, the current horror thriller Longlegs, while revealing all his thoughts about the top ten films at the box office. Phil discusses the new documentary starring Martin Scorsese about the greatest filmmaking team of all time, while also singing the praises of one of that team’s most romantic works. The show Phil hosted this past week serves as the “Live Event of the Week” and Dean and Phil end the show by remembering a French movie star, a brilliant sketch comedy and sitcom performer, and a British blues legend in “Celebrity Deaths”. And if you want to check out Phil’s “other” podcast – “The Voice of Los Feliz” – we hope you will! It’s part of his new free Substack that you can find HERE!

Welcome to a truly great episode and it all starts with an alternately touching and hilarious cold open! In “Celebrity Deaths”, Dean and Phil remember a jazz music pioneer, an actor who was an important influence on Dean, and a versatile, prolific, Oscar-winning filmmaker. Last week’s Oscar nominations get analyzed, as does the ensuing anger surrounding supposed “snubs”. After the break, the great film critic Luke Y. Thompson joins the fun, discussing how critics, like performers, can get “pigeon-holed”. He offers up thoughts on the Oscar-nominated The Zone of Interest and the underrated Beau is Afraid, and hips you to a black and white sci-fi comedy that is well worth your 68 minutes! He even talks about toy reviews and toy photography! And trust us, this episode offers a lot of laughs! Find links to all of Luke’s articles and reviews at https://linktr.ee/lytrules. And learn about his work as a toy collector, photographer and reviewer at https://www.eql.com/media/adult-toy-collecting

 

We hope this finds you having enjoyed a happy and healthy New Year. Twelfth Night is a festival that takes place on the last night of the Twelve Days of Christmas, marking the coming of the Epiphany. Shakespeare’s “Twelfth Night” (or “What You Will”), is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night’s entertainment for the close of the Christmas season. On this week’s brand new Season 2 Episode 109 of YOUR Chillpak Hollywood Hour, Dean and Phil celebrate both the holiday season AND the immortal Bard of Stratford on Avon by counting down each of their 12 all-time favorite cinematic adaptations of Shakespeare! Brevity might be the soul of wit, but your friends in podcasting (and broadcasting) have an hour to fill!

It’s Halloween season, so this week, Dean and Phil will get into the spooky spirit of things by celebrating “All of the Them Witches” – programming a dream film festival of witch-themed double-features! Of course, there is a ton of spooky, unsettling and downright terrifying show biz news for them to cover as well, including the potential resolution of the IATSE conflict with the AMPTP prior to almost all film and television productions getting shut down, the messy publicity slaughterhouse that continues to ensue following Dave Chappelle’s “The Closer” and Netflix CEO Ted Sarandos’ response to it, and a little bit of “inside” info regarding Marvel’s Black Widow. All that, plus really good box office news and a pioneering animator, a chart-topping bassist, and a best-selling YA novelist get remembered in “Celebrity Deaths”.

Last week, Dean and Phil ran out of time while discussing a vampire show from Norway that Dean has discovered and is enjoying. They kept recording, however, so this week’s show starts (as a cold open!) with that brief and hilarious discussion. Once the show proper starts, your friends in podcasting send love and best wishes to a dear friend who is having surgery this week. Then, they leap into discussions of the latest show business news, including the IATSE strike authorization vote that might lead to the halt of most television and film production, the resolution of Scarlett Johansson’s lawsuit against Disney, James Bond saving the global box office, Venom: Let There Be Carnage setting the domestic box office ablaze, and the #1 worldwide box office hit of 2021 that neither Dean nor Phil have seen or even heard of! Phil and Dean then discuss Roman Polanski’s Repulsion and the importance of taking the time to do “nothing”, and what “Loki” season 1 might be telling us about the existence of multiverses. Finally, Dean and Phil celebrate the lives of a pioneer of Japanese anime, one of the best funk and soul bandleaders of all time, a character actor beloved on both the small and big screen, a groundbreaking singer-turned-activist, and two very popular comedians.

In the first half of this week’s show, Dean and Phil discuss the latest controversial news surround filmmakers Joss Whedon and Woody Allen and ask how do we separate the art from the artist? And should we? After that, a Motown great, a rap great, the Godfather of salsa, a groundbreaking singer and DJ, and a pioneer of jazz fusion all get remembered in “Celebrity Deaths”. The second half of the show is part 2 of the roundtable discussion that began last week, where special guests Marc Hershon and Suli McCullough compare notes with Dean about pursuing careers in comedy. On this week’s agenda are the topics of the pandemic and how it has and will change professional comedy, and the importance of pain in comedy.

It’s all classic comedy, classic television and classic movies on this week’s show! The truly legendary Carl Reiner gets celebrated. Then, Dean and Phil compare the years in film 1982 and 1974 with 1962 to see which year they think was the best year ever for movies!