This week’s episode finds Phil in the “DMV” (DC-Maryland-Virginia) area and Dean safely ensconced back in Michgan. Phil quizzes Dean about Renaissance man Martin Mull, iconic Winnipeg musician and broadcaster Ray St. Germain, two Oscar-winning composers, and an Oscar-nominated documentarian. Dean and Phil also sing the praises of perhaps the greatest actor to NEVER get nominated for an Oscar! Such streaming fare as “Tulsa King”, Season 4 of “The Boys”, “Ripley”, Season 2 of “Tokyo Vice”, and Richard Linklater’s Hit Man all get reviewed as well.

Although summer hasn’t officially begun in the northern hemisphere, it sure feels like it has what with Dean and Phil discussing Dean’s new sandbox and the state of the summer box office! Not only that, but there’s a message from Agent Summer (“Summer” – get it??) that gets discussed! An on-air production meeting yields an outstanding idea for a future show all about movies, while on this week’s show, such movies as Otto Preminger’s The Man with the Golden Arm and Skidoo, the time travel movie Timerider: The Adventure of Lyle Swann, the World War II classic Thirty Seconds Over Tokyo, and the wizarding world entry Fantastic Beasts: The Secrets of Dumbledore all get discussed. Such popular performers as Kim Novak, Van Johnson, Jude Law and Jessica Williams get discussed as well. Plus, loyal listener Maurice Terenzio shares a great story about the wonderful character actor Richard Kiel. On the small screen, Phil offers up a mea culpa on “Hacks” season 2, and he and Dean share a message from friend of the show Mattie Giles all about “Station Eleven” and “Made for Love” on HBO Max, “The Book of Boba Fett”, season 2 of “Picard”, and the brand new “Strange New Worlds”. Finally, the return of “Lawsuit of the Week” focuses on Johnny Depp, Amber Heard, defamation, libel, toxic relationships, social media reactions and the cycles of abuse and violence.

It’s all classic comedy, classic television and classic movies on this week’s show! The truly legendary Carl Reiner gets celebrated. Then, Dean and Phil compare the years in film 1982 and 1974 with 1962 to see which year they think was the best year ever for movies!

From the inner space of quiet, self-quarantine lockdowns, to the outer space of “Star Trek: Picard”, Dean Haglund and Phil Leirness take you on quite the journey this week! It starts with their latest observations about themselves and others in the wake of another week of isolation. Sadness, quiet and dehumanization are on the thematic menu! They then compare notes on their respective Easter celebrations, which leads to a discussion of a couple of classic musicals: 1934’s Fred Astaire-Ginger Rogers vehicle The Gay Divorcee and 1948’s seasonal staple Easter Parade, starring Astaire and Judy Garland. The recent, modern classic, Uncut Gems gets championed by Phil, who tries to get Dean to overcome his trepidation surrounding Adam Sandler performances (and yet, Dean once championed You Don’t Mess With the Zohan, so go figure!). The second half of the show consists of Dean and Phil comparing the years in cinema 1973 and 1974, discussing all the notable films from those two halcyon years, in hopes of determining which year might challenge 1962 as the greatest year in cinema. Finally, your friends in podcasting beam up to the La Sirena to discuss and debate what went right and what went wrong in season one of “Star Trek: Picard”, a show so successful that a big-screen movie version is already in the planning stages.

Back on schedule, your friends in podcasting offer up a fun grab bag of audio goodness this week … Dean reports on “Ironfest” and discusses his future “X-Files” convention appearances. Lily Holleman reports live from a film festival in Miami where she is attending the screening of a movie in which she co-stars. Phil is in Los Angeles, of course, where he discusses the revival of the Los Angeles Breakfast Club, a truly bizarre cop film from the 1970’s, and a recent epic movie about a real-life explorer. All that plus Dean and Phil remember both a country music great and a beloved (diminutive) cinematic sidekick.

It’s a special Top Ten show! Your friends in podcasting count down their all time favorite War Films! It’s amazing how many different sub-genres of war films, Dean and Phil discover and more than thirty films actually get discussed. Trust us – It’s totally awesome.

In many ways, this week’s show is a sequel to last week’s episode #534, with the promised celebration of Jeanne Moreau’s life and career, an email from a listener about Tom Jones’ “The Young New Mexican Puppeteer” and more from the British Film Institute List of “the 50 films you should see by the age of 14”.

Unlike most sequels, however, this show is even more irreverent, insightful and informative than last week’s!

The festivities commence with a clip of Dean on Australian television telling a (bestiality?) joke, and then after a special opening (a tribute to Glen Campbell), Dean comes out guns blazing, ranting about the internet speeds of his adopted land. After Phil calms him down, they discuss the news of David Letterman’s new show, they urge people to save the Salem Cinema (a jewel of the Pacific Northwest), they talk about an interview they did with the late Jim Marrs and they continue their discussion about the “death of discernment”, this time focusing on an appalling memo crafted by a then member of the National Security Council.

 

From there, it’s onto “Celebrity Deaths”, where, in addition to the Femme Fatale of the French New Wave and Glen Campbell, your friends in podcasting remember a Tony-winning star of Broadway’s “The Music Man”, the star of an early television western series turned right-wing anti-government activist, and the man inside the Godzilla costume.

Finally, Dean and Phil discuss a 1982 Australian western, a 1954 western that influenced the likes of Sergio Leone and Sam Peckinpah, the original King Kong, and the Will Rogers comedy Life Begins at 40.