A cold open about the horror classic (?) Phantasm gets the ball rolling on a fascinating, funny, free-wheeling conversation between Dean and Phil about such topics as Dean’s forthcoming creative endeavors, Phil’s stressful experience judging a costume competition, the ongoing Los Angeles city council scandal and the difference between “representing” and “reflecting”. A message from someone very close to Dean about the most recent Palme d’Or winner at Cannes leads to a spirited appreciation of the comedy in Jean-Luc Godard’s Weekend and a message from a loyal listener like you (yes, YOU!) leads to hilarious stories about Werner Herzog’s Nosferatu the Vampyre and to a discussion of the very first episode of the new season of “Documentary Now” (a parody about Werner Herzog)! Kanye West’s ridiculous claims about Django Unchained and the onslaught of criticism directed at the new season of “The Crown” get examined before your friends in podcasting (and broadcasting) offer up a very lengthy, (and way too short!) celebration of the “Coal Miner’s Daughter”, Loretta Lynn.

Dean and Phil start the show by answering a question they posed last week about The NeverEnding Story. A question about Dean’s painting leads into a deep-dive discussion about scheduling, energy management, and the time of transition in which we all find ourselves. In “Celebrity Deaths”, a character actor-turned-acting instructor gets remembered, as does a true renaissance man known primarily for playing gangsters! Olivia Newton-John’s career also gets examined at great length, including her starring role in a 1970 science-fiction film and how history could have been different had that film been a hit. Phil is more than a little bit grumpy about a “Live Event of the Week” and he and Dean wonder if Amadeus might be the most mediocre movie ever to win Best Picture. Mediocrity itself is discussed as a business model, and Netflix is in the crosshairs!

Phil is back from Hawaii and bringing with him observations about how the islands AND America have changed since he last visited the spots he traveled to (24 and 36 years ago respectively). He and Dean bring back “What We’re Reading” after a lengthy absence, and the discussion of books will lead to discussions of comedy, the Golden Age of Radio, watercolor painting and YouTube instructional videos! In “Celebrity Deaths”, an Oscar-nominated star of M*A*S*H, one of the greatest comedy movie directors of all time, and the “Queen of Funk” all get remembered. The show concludes with an analysis of Sunday night’s Screen Actors Guild awards. What do the Film winners portend for the forthcoming Oscars, and whom did Phil and Dean vote for in these award categories? All that, plus what non-nominated film might be one of the very best of 2021?

Season 1 of YOUR Chillpak Hollywood Hour ended in November of 2019 after 652 episodes. Season 2 ended last week after 113 episodes. This week, Dean Haglund and Phil Leirness launch Season 3 as they make the move to Subspace Radio! They will “re-set” their topics, bringing back the “Explanation of the Week” while discussing something called the “Gell-Mann amnesia effect” and the “Wingnut of the Week” while discussing sci-fi novelist and filmmaker Michael Crichton. In “Celebrity Deaths”, they will remember the legendary improviser who played “Dr. Johnny Fever”. All that, plus a deep dive into what made season 2 of “Ted Lasso” so divisive for viewers and a big award hopeful this Oscar season: Aaron Sorkin’s Being the Ricardos.

Will this week be the final episode of “Season 2”? Will it be Dean and Phil’s final show Odysy Radio? They will discuss these matters (but, spoiler alert: yes to both!). They will also discuss Dean’s coddling of robots, Phil’s latest round of eye surgeries, Dean’s forthcoming watercolor series, Paul Thomas Anderson’s Licorice Pizza, the return of movies shown on film, as well as a whole lot of spirituality and music in this week’s show!

Dean and Phil get the ball rolling by discussing the most “fun” (?) cities in California. Then they discuss the role film critics play as we emerge from a pandemic. The quality and box office fortunes of The French Dispatch, The Eternals, Last Night in Soho, Dune, Venom: Let There Be Carnage and No Time to Die get analyzed and discussed. Phil sings the praises of a great Japanese film, a legendary Japanese actor, and a charismatic Japanese pop star. Dean sings the praises of Benedict Cumberbatch and his new film about a famous artist. Phil sings the praises of Mike White’s satirical “The White Lotus” and tackles the controversy surround Dave Chappelle’s “The Closer” from a much different angle. Finally, Dean intrigues Phil with his description of Channing Tatum’s Amazon Prime series “Comrade Detective”.

Your friends in podcasting are celebrating 100 episodes of broadcasting! That’s right, this is their 100th episode since moving their franchise to Odysy Radio! Dean and Phil celebrate this milestone by sharing personal stories of on-set safety in the wake of the emerging details behind the fatal shooting on the set of Rust. They discuss society’s need for “instant eulogies” in the wake of another friend’s death. They discuss the latest news on the big-screen Dune and review the latest from Wes Anderson. All that, plus the return of the “Live Event of the Week”! Finally, Clint Eastwood is celebrating 50 years as a filmmaker, and Dean and Phil get in on the action by “programming” a “Directed by Clint Eastwood” film festival – 5 double features you might want to watch!

Saturday was International Ghost Hunting Day and Dean was at the forefront of it. Phil has been thinking a great deal about Buster Keaton, his influence, and other films and filmmakers that might have influenced the making of his beloved Wings of Desire. Phil asks Dean about legendary actress Ruta Lee, and an episode of “The Twilight Zone” in which she starred. One of the greatest banjo players of all time, a giant of reggae, and a founding member of a chart-topping UK pop band all get remembered in “Celebrity Deaths”. In the return of “What We’re Reading”, Dean discusses an artist who was once the most popular in Amsterdam and who has fallen into obscurity. This leads into a fascinating discussion about communicating with the future. Phil is reading a novel that explores two different timelines in the marshes and on the coastline of North Carolina in the 1950s and 60s. Dean and Phil then re-visit last week’s Emmy Awards and do an analytical deep dive into the furor surrounding “Ted Lasso” season 2 and the concept of “public ownership” before reviewing season 1 of “Hacks”. Finally, we want to wish our sponsor, Empire State Gas, Many Happy Returns! Thanks for sponsoring us all these years. You’ve got great gas!

If you have listened to our last few episodes, you know that conversation has really started to focus on great movies, great directors AND on silent film being appreciated as its own art form. On this week’s show, Dean and Phil really drill down into each of these topics by focusing on the careers, artistry and legacies of two formative giants of the motion picture industry: Mack Sennett and Charlie Chaplin. Even if you don’t like silent movies or know much about them, trust us, this episode is a blast!

Dean and Phil follow up on last week’s awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil’s frequent collaborator, Greg De Belles. Greg composed the score for Phil’s Karl Rove, I Love You and for Dean and Phil’s The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel’s Van Gogh film At Eternity’s Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.