This week’s show begins with a mea culpa to those of you who actually listen to the show in podcast form. After that, your friends in podcasting and broadcasting follow up on last week’s “What We’re Reading” with amazing tales of the Knights of Malta and of the great artist Caravaggio’s time in Malta. Then the Hall & Oates “Lawsuit of the Week” gets revisited and clarified, before loyal listener Maurice Terenzio sets Dean straight on a lawsuit that involved puppetry giants Sid & Marty Krofft. In “Celebrity Deaths”, a groundbreaking pianist, a groundbreaking soap opera actress, a trailblazing television producer, an Oscar nominated French Actress, and a beloved American movie star all get remembered. And because awards season in Hollywood is now in full swing, two new television series get described and appraised.

This week marks the 4th anniversary of YOUR Chillpak Hollywood Hour moving to live broadcasts, which you can find Monday night’s at 9 pm Eastern on Subspace Radio (http://subspace.radio) and the I Heart Radio app. Dean & Phil celebrate this milestone by bringing back the “Live Event of the Week” (involving Phil scaring children!), “Celebrity Deaths” (wherein an award-winning filmmaker, a legendary actress, a groundbreaking television creator, a Louisiana music treasure, and one of the all-time great cinematographers all get remembered), and “What We’re Reading” (including what Phil is most definitely NOT reading)! In addition to all that, the deaths of a retired supreme court justice and a former U.S. Secretary of State inspire a conversation about how things have changed, possibly for the worst, while a discussion about the just-started awards season leads to thoughts of how things have changed for the better! Phil has seen at least one film he loved (Cannes-winner Anatomy of a Fall), one film that did not work (Saltburn), and Dean saw The Marvels (which Phil will have none of!).

The night before Thanksgiving, Dean and Phil met high atop a certain “historic building in downtown Los Angeles” for a very thoughtful conversation about gratitude, authenticity, a Japanese tea house, three restaurants in Malta, an American cemetery in Tuscany, Veterans Day, and yes, even Hall & Oates (in the return of “Lawsuit of the Week”). It’s heartfelt, its hilarious, it’s your friends in podcasting (and broadcasting) at their best.

Phil is back from his continental adventures and he and Dean actually got together in person on the mean-streets (and rooftops) of Los Feliz to have lunch and record this week’s show! Hear all about Dean’s epic improv performance in San Jose, Popeye Village in Malta, the Blue Lagoon in Comino, jellyfish stings, the movies Showing Up and Five Nights at Freddy’s, and learn why Dean and Phil think the recently negotiated SAG-Aftra contract might not get ratified by the actors and what they think will happen if it doesn’t. All in all, it’s a truly hilarious, free-wheeling, globe-trotting installment of YOUR Chillpak Hollywood Hour!

Because Phil is still traveling in Europe, this week’s episode is a very special show. Several weeks back, Slate published a “hit piece” on the comedic actor Martin Short, questioning his talent, his career, and accusing him of being nothing but annoying (while also acknowledging that he might just be the most genuinely decent and kind person in show business). Many people have weighed in and come to Martin Short’s defense since that article. This week, Dean and Phil take their turn, as they count down their all-time Top Ten “Martin Shorts”. Grammatically incorrect? Sure. Fascinating and hilarious? You bet!

Phil is in Malta. Before he left, he sent Dean an itinerary of his trip. Dean was aghast. That itinerary was a jam-packed 7 pages of information about travel, accommodations, meals, beverages, sites and activities. On this week’s show, recorded prior to departure, Phil sat still long enough to answer Dean’s questions about the trip. 

As we approach Halloween, the spooky and the scary are foremost on the minds of Dean and Phil, and we aren’t just talking about the actors’ negotiations with the giant media companies! Of course, your friends in broadcasting and podcasting DO talk about those negotiations, but they also discuss such spooky films as the 1980s vampires-with-great-hair spectacle The Lost Boys, the influential Ingmar Bergman classic The Magician, the beloved modern Japanese masterpiece Ring, Disney’s misbegotten Haunted Mansion, Alex Garland’s fascinating Men, and the “Citizen Kane of horror movies”, 1973’s The Wicker Man. All that, plus two non-scary recent releases, the Guy Ritchie-directed spy comedy Operation Fortune: Ruse de Guerre and the Ashley Park-starring Joy Ride get reviewed, and the beloved Oscar-nominated character actor Burt Young gets remembered in “Celebrity Deaths”.

 

Dean (in Detroit) and Phil (in Los Angeles) celebrate the lives of three amazing women: Performer-turned-novelist Echo Brown, Pilot-turned-architect Beverly Willis, and Detroit’s very own screen legend Piper Laurie. The latest implosion in the negotiations between the actors and the studios gets discussed, analyzed, and what it means for TV and Film production gets predicted. Where television is concerned, your friends in podcasting and broadcasting offer up thoughts on the recent social media furor surrounding Martin Short, and the merits of “Only Murders in the Building” season 3, “Reservation Dogs” season 3, and “Our Flag Means Death” season 2. Where movies are concerned, Dean checks in with a review of The Creator, while Phil weighs in on William Friedkin’s final film and Wes Anderson’s brand new Roald Dahl adaptations for Netflix.

This week’s Canadian Thanksgiving installment features follow-ups on several topics from past episodes: Are the most important pop culture figures of the last quarter of the 20th century all named “David”? Why is contemporary art so abundant with creativity and so full of joy? What are some of the most thrilling aspects of Bonaventure Cemetery in Savannah, Georgia? And speaking of Savannah, why is The Pirate House so darn haunting? In addition to those follow-ups, Phil has been researching “Trainee” programs offered by the Writer’s Guild in the wake of their (tentative) deal with the producers. And a loyal listener has thoughts about the best/worst actors to play Hercule Poirot on the big screen. This last leads into Dean’s thoughts about Kenneth Branagh’s A Haunting in Venice before three films starring the great Dirk Bogarde, the soulfulness of Oliver Reed and a brilliant, unheralded masterpiece by the late William Friedkin all get discussed. Finally, in “Celebrity Deaths”, a beloved star of “The Man from U.N.C.L.E.” (and “NCIS”) gets remembered.